|
Lot 1406: Currier & Ives folio lithograph, American Field Sports, Retrieving, 18 3/4" x 26 3/4" image size, 21 1/2" x 28" sheet size, unframed, evenly browned some stains, top edge with a few small tears
Estimate: 1,000-1,500
|
|
Lot 1409: Robert Shaw, American, 1859-1912, (3) B&W engravings, Santa Barbara Mission, Mission San Luis Rey, Mission at San Cabistan, each with a remarque, pencil titled, signed in plate
Estimate: 200-300
|
|
Lot 1412: Robert Shaw, American, 1859-1912, (1) B&W engraving, Old Swedes Church, with a remarque, pencil titled, signed in plate, with a colored reproduction print of Old Hanover Presbyterian Church, Wilmington, DE
Estimate: 100-150
|
|
Lot 1415: William Gropper, American, 1897-1977, b&w lithograph, Horse Race, sheet size 12" x 16", image size 9 1/2" x 13", never framed
Estimate: 200-300
|
|
Lot 1418: Arthur William Heintzelman, American, 1891-1965, b&w etching, Young Amishman, never framed, 15 1/4" x 12 3/8" sheet size, 10" x 9" image size, never framed
Estimate: 100-200
|
|
Lot 1421: Joseph Hecht, Polish/British, 1891-1951, b&w etching, Vers le Soleil, Etat 1=1, No 9, sheet size 15 1/2" x 11 1/2", image size 11 3/4" x 8 3/8"
Estimate: 200-300
|
|
Lot 1424: Thomas Willoughby Nason, American, 1899 - 1971, b&w etching, A Deserted Farm, pencil signed, titled, & numbered 19/100, dated 1931 in plate, never framed, sheet size 8 1/4" x 10 1/2", image size 5 1/4" x 5 3/4"
Estimate: 100-200
|
|
Lot 1427: Martin Jackson, American, 1919-1986, American, b&w lithograph, Moon Dreamers, pencil signed, titled, & numbered 12/3, sheet size 12 1/2" x 16 3/4", image size 9 3/4" x 13 1/2", never framed
Estimate: 100-200
|
|
Lot 1430: Thomas Willoughby Nason, American, 1899 - 1971, b&w etching, Country Road, pencil signed, titled, & numbered Ed. 75, III state, 10 x 14 sheet size, 7 1/2" x 10" image size, dated 1944, never framed
Estimate: 100-200
|
|
Lot 1433: Mily Possoz, Portuguese, 1889-1967, colored etching, Secon de Mandoline, pencil signedf, titled, & numbered 37/60, sheet size 16 3/4" x 12 3/4", image size 9 7/8" x 9", never framed
Estimate: 200-300
|
|
Lot 1436: Reynold Weidenaar,green tinted mezzotint, Penitant, pencil signed and titled, sheet size 17" x 12", image size 9" x 14", never framed
Estimate: 200-300
|
|
Lot 1439: 10 World War 2 "Loose Lips" posters, British and American Ambulance Corps, excellent condition, a few folded corners
Estimate: 1,000-1,500
|
|
Lot 1442: Douglas Warner Gorsline, American, 1913-1985, b&w etching, Boy with Toy Elephant, pencil signed, sheet size 15" x 12", image size 11 3/4" x 7 3/4", never framed
Estimate: 100-200
|
|
Lot 1445: John De Martelly, 1903 - 1979, b&w lithograph, 1941, Ed 250, Old Man Towne Bought a New Scythe, sheet size 12" x 16", 8 7/8" x 11 3/4", never framed
Estimate: 200-300
|
|
Lot 1448: Peter Hurd, American, 1904-1984, Sheepherder, Lithograph, 1937. 11 x 9 1/4 inches, full margins. Signed & titled in pencil. Edition 250.
Estimate: 200-300
|
|
Lot 1451: Mervin Jules, American, b. 1912, b&w lithograph, The Conductor, 12 x 16 sheet size, 9" x 12" image, never framed, Hilda Pertha, American, 20th c, Young Woman in Hat, b&w etching, Abraham Hankins, American, 20th c, Woodblock, Love Thy Neighbor
Estimate: 100-150
|
|
Lot 1454: Kathe Kollwitz, German, 1867-1945, Portfolio, Ten Lithographs, New York, 1941, Henry Kleeman, Curt Valentin, all present with title & contents page, boards discolored
Estimate: 300-500
|
|
Lot 1457: 6 colored lithographs of Native Americans, 19th c, as follows:(3) by Saroney, Knapp, & Major: Yumas, Noco-Shimatt-Tash-Tanaki-Grizzly Bear-Seminole Chief; Co-Co-Pas; (2) T. Sinclair, Mojave Indians, Navahos; (1) Mollhausen: Cairook-Mohaves; all about 6" x 9" image size, unframed, generally good condition, some browning & foxing
Estimate: 400-600
|
|
Lot 1460: Woldemar Neufeld, color woodblock, Chardon in Winter, Ed 50,sheet 10 1/2" x 14 1/2", image 7 3/4" x 12", never framed
Estimate: 200-300
|
|
Lot 1463: Theophile Steinlen, World War 1 poster, 1915. 51x37 inches. I. Lapina, Paris. En Belgique, Les Belge Ont Faime, tears, splits along folds, very fragile!! Unframed, shrink wrapped.
Estimate: 400-600
|
|
Lot 1466: John Taylor Arms, American, b&w etching, Cathedral Entrance, pencil signed and dated 1936, 12" x 3 1/2" image, framed, some foxing
Estimate: 100-200
|
|
Lot 1469: Edward Percy Moran, English/American, 1829-1914, b&w etching, Dugans Beach, Rescue scene, pencil signed and titled with remarque, 17 1/2" x 11 3/4", not examined out of frame
Estimate: 200-300
|
|
Lot 1472: Otto Kuhler, American, 1894-1976, Dam Builders, b&w etching, pencil signed & numbered No 71, 9 1/2"x 12 7/8"
Estimate: 300-400
|
|
Lot 1475: John J Audubon, (32) small folio color lithographs from Birds of America, Royal Octavo Edition, all matted to image, many with some spotting, foxing, or stains
Estimate: 400-600
|
|
Lot 1478: Barbara Ellison, American, 20th c, b&w etching, Sphinx Moths, pencil signed, titled, and numbered 2/25, unframed, 11 3/4" x 17 1/2" image, full border
Estimate: 75-125
|
|
Lot 1481: Stephen Gooden, British, 1892-1955, etching, King Neptune, 7" x 5", pencil signed and dated 1941
Estimate: 200-300
|
|
Lot 1484: Maxfield Parrish, Mazda calendar, Golden Hours, with complete date pad, separated, some edge splits, 41" high, 18 1/2" wide
Estimate: 400-600
|
|
Lot 1487: Maxfield Parrish, Mazda calendar, Contentment, with complete date pad, separated, 38" high, 18 1/2" wide
Estimate: 400-600
|
|
Lot 1490A: 2 prints on cotton, Mexican War Battle Scenes, both fragments with the same image, 14 3/4" x 19 3/4", 15 1/4 x 23 1/4, 19th c
Estimate: 200-400
|
|
Lot 1493: 2 Color lithographs, Bataille des Pyramides, Siege de la Citadelle D'Anvers, text in French, signed Georgin, lower right, sight size 14" x 20 3/8", 14 1/4" x 22", mattred to image, after historical wood engravings by Pellerin. From Napoleon par l'Image Populaire. Portraits-Scenes-Batailles. [Épinal: Pellerin, 1819 to 1863]-Paris: Pellerin et Cie, 1912. Folio ca. 15 x 22. Wood engravings by Pellerin, Réveillé or Georgin. Original hand color. Extensive text below image. From 1819 to 1863, the firm of Pellerin at Épinal produced a number of secular French historical images by the process of wood engraving, with hand color. It appears the firm kept the plates, for in 1912, Pellerin et Cie issues a group of these images in a portfolio entitled Napoleon pa l"image Populaire. The primary force behind these images was Jean-Charles Pellerin (1756-1836), a clock maker in Épinal, who had the idea to expand production of wood engraved religious images to secular ones also, all for popular consumption. Pellerin's studio originated the print industry in Épinal. Pellerin taught his trade to Réveillé, an imperial soldier, who recorded his memories of the campaigns. Réveillé then taught François Georgin (1801-1863), who continued the firm.
Estimate: 200-300
|
|
Lot 1496: Prints on cotton, Marquis Wellington Reviewing His Troops Before The Battle of Salalmanca, 21 1/4" x 23 1/4", 19th c
Estimate: 200-300
|
|
Lot 1499: Victor Vaserely, Serigraph, Verites, 19 3/8" x 22", 142/250, Makler Gallery tag, verso, 1970
Estimate: 200-300
|
|
Lot 1502: Georges Roualt, French, 1871-1958, Pere Obu series, wood engraving, 7 3/4" x 8 1/4"
Estimate: 200-300
|
|
Lot 1505: Constant Idoux, 20th c, serigraph, 8 1/2" x 13 1/2", Couple in Park
Estimate: 100-200
|
|
Lot 1505A: Martin Jackson, American, 1919-1986, American, b&w lithograph, The Burial, pencil signed, titled, & dated '47, sheet size 11 1/2" x 17", image size 10 1/4" x 15 1/4", some mat burn
Estimate: 100-200
|
|
Lot 1505B: Reverse painting on glass," Admiral Keppel Riding in Ye Park at Bagshot", in fine birdseye maple frame, overall size 14" x 11 5/8"
Estimate: 300-500
|
|
Lot 1505C: John Mecray, 2 Color LE lithograph, Close Hauled for the Finish, 1932 race between Britannia and Westward, Reliance Leading Shamrock III, 19" x 34" images, published by Mystic Seaport Museum, 1985, Ed 750, pencil signed
Estimate: 300-500
|