William Bunch Auctions & Appraisals - Auction Catalogue: 10/25/2005 12:00 PM To 10/25/2005 08:00 PM Lots 1401 through 1425.

Lots 1401 through 1425 - Detail

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Lot 1401: American, 14 mile primitive handdrawn map of Route 1, Chester and Delaware Counties, PA, from Chester Heights to West Grove, 44" x 4 1/2", some folds, minor stains, and minor losses
Estimate: 400-600

Lot 1402: 1745 land indenture on parchment, Stephen and Martha Paschall, William Hoopes and Danel Richard, City of Philadelphia, Justice John Maddox, 16 1/2" x 24 1/2"
Estimate: 100-200

Lot 1403: Guiljelmus Blaeu, Amsterdam, 17th c., Zeelandia Comitatus, hand colored map, image size 15" x 19.5", tears at bottom center, a little paper loss top center, some foxing and browning, the first edition of this map was was published in 1635, dedicated to D. Simoni
Estimate: 200-300

Lot 1404: De Wit, Frederick, engraved hand colored map, Totius Europae littora novissime edita. Pascaert vertoonende alle de See-custen van Europa. Amsterdam, 1675, Double-page engraved chart with contemporary hand-color, oriented with west at the top, extending west to east from Iceland to Dalmatia and north to south from Spitzbergen to Morocco, continuation Chart of the Mediterranean inset to Africa, several decorative crests, numerous rhumb lines, vignette depictions of Elephants in North Africa and rutting Goats in Norway, 21 9/16 by 36 5/8 sheet size. fold lines, minor splitting along folds, tape at 2 corners, some stains & foxing
Estimate: 1,000-1,500

Lot 1405: Colored etching, The Great Match Between Randal and Martin, S.W. Fores, London, 14" x 16" sight size through mat, evenly browned
Estimate: 200-300

Lot 1406: "Randall, the Irish lad, and Belasco, the Jew Champion" colored etching, the lower margin with fight details, "This fight took place at Shepperton-Point near Oatlands on Tuesday September 30, 1817 in a 24 feet ring for 50 guineas a side and after a contest of 54 minutes was decided in favor of Randall....", published by S.W. Fores, Picadilly, framed and glazed, light foxing 10 1/2 ins by 13 1/2 ins sight size through mat
Estimate: 200-300

Lot 1407: After Walter Dendy Sadler, English, 16 in x 23 in image size, black and white engraving of 5 men drinking wine with a butler in attendance, published by L.H. LeFevre, 1909, London, signed in pencil, Arthur Turrell, lower right
Estimate: 100-150

Lot 1408: After John Leech, English, 1817-1864, 15.5 x 23.5 in, chromolithograph, The Mermaid's Haunt, from the series "Sketches in Oil, 1865" signed lower left, the mat laid down on top of the print, oak turn of the century frame, lacking glass, some foxing & discoloration
Estimate: 100-200

Lot 1409: After John Leech, English, 1817-1864, 14.5 x 23.5 in, chromolithograph, "Not a Bad Idea For Warm Weather/Frederick: Now Girls, Pull Away-Don't be Idle!"", signed lower left, the mat laid down on top of the print, oak turn of the century frame, some discoloration
Estimate: 200-300

Lot 1410: Montague Dawson, English, 1895-1973, 24 in x 30 in color lithograph, 2 Sailing Ships Under Sail, pencil signed lower right, Frost and Reed, 1964
Estimate: 200-300

Lot 1411: Colored engraving, Battle of the Serapis and Bon Homme Richard, September 23rd 1779, published 1780, John B __dell, Cheapside London, matted to image, losses and abrasions, sight size 19" x 23"
Estimate: 200-300

Lot 1412: 2 colored engravings of view of London and Westminister, trimmed and laid down, publisher Robert Sayer, with Great Canal of Venice, trimmed and laid down, sight size 11 1/2" x 14 1/2"
Estimate: 75-125

Lot 1413: 2 colored engravings, F. Burke, titled The Curate of the Parish Return'd From Duty, and The Vicar of the Parish Receiving His Tithes, sight size 16" x 12", some stains, probably trimmed
Estimate: 100-150

Lot 1414: Louis Icart, French, 1888-1950, Coursing II, an etching and drypoint printed in colors and heightened with hand-coloring, "Copyright 1929 by L. Icart, Paris" upper left, signed in pencil lower right, numbered "6"in pencil at upper edge, with artist's blindstamp, not matted, framed. Image 15.25 in.by 24.75 in., sheet size 20 in by 29.5 in., this has been laid dow, thought the sheet is bright and shows no stains or damage
Estimate: 1,500-2,500

Lot 1416: Louis Icart, French, 1888-1950, Gust of Wind, an etching and drypoint, 21 in x 17 5/8"Copyright 1925 by les Graveurs Modernes/194 Rue de Rivoli, Paris" upper left, signed in pencil lower right, numbered "7"in pencil at lower left, stained and faded
Estimate: 400-600

Lot 1417: Louis Icart, French, 1888-1950, Open Cage, La Cage Ouvert, an etching and drypoint, 13 1/8 in x 17 in, "Copyright 1926 by les Graveurs Modernes/194 Rue de Rivoli, Paris" upper right, signed in pencil lower right, numbered "140"in pencil at lower left, stained and faded
Estimate: 400-600

Lot 1418: Andre Brasilier, French, 1929-2004, framed color lithograph on Arches paper, Concerto Pour Piano et Orchestre, 1971,signed lower right, #5/250, 20"H x 26"W image size, paper impressed "EXAMPLAIRE HORS COMMERCE/ SPECIMEN NON SIGNE DE TIRAGE/ NUMEROTE ET SIGNE PAR L'ARTISTE", pencil signed, titled, and numbered
Estimate: 400-600

Lot 1419: André Fremond, 1884 - 1965, French, 3 Sulky Racers, 19 in x 25 in, hand colored LE lithograph, signed & numbered lower right, Andre Fremond, 100/300, 27
Estimate: 200-300

Lot 1420: André Fremond, 1884 - 1965, French, "New Market", 19 in x 25 in, hand colored LE lithograph, signed & numbered lower left, Andre Fremond, 2/400, water stains on both ends
Estimate: 50-100

Lot 1421: Mario Avati, Monaco, b. 1921, Chats-Huantes, , 9.75 x 7.25 in, mezzotint, 1961, inscribed in pencil, "7/50, FOR BETTY MELVIN, WITH BEST WISHES.1.1.1964", signed and titled
Estimate: 200-300

Lot 1422: Mario Avati, Monaco, b. 1921, Explosion d'un Sabre, 10.75 x 10.75 in, mezzotint, 1960, inscribed in pencil, "ESSAI 6/9, POUR BETTY MELVIN, AVEC MES MEILLEURS VOEX.1.1.1964", signed and titled
Estimate: 200-300

Lot 1423: Mario Avati, Monaco, b. 1921, Les Papillions de Nagasaki, 14.25 x 9.0 in, mezzotint, 1960, inscribed in pencil, " FOR BETTY MELVIN, WITH KIND REGARDS.1.1.1964", signed and titled
Estimate: 200-300

Lot 1424: Albany Howarth, English, 1872-1936, 25.75 in x 18 in, b&w etching, titled verso "Rouen Cathedral", pencil signed lr, blindstamps on laid paper
Estimate: 100-150

Lot 1425: Ernest D. Roth, 9.5" x 9" b&w etching, On the Grand Canal, Venice, 1913, signed, titled, and dated in pencil, on laid paper, some mat burn and browning
Estimate: 100-200

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	Lot 1401: American, 14 mile primitive handdrawn map of Route 1, Chester and Delaware Counties, PA, from Chester Heights to West Grove, 44" x 4 1/2", some folds, minor stains, and minor losses Estimate: 400-600
	Lot 1402: 1745 land indenture on parchment, Stephen and Martha Paschall, William Hoopes and Danel Richard, City of Philadelphia, Justice John Maddox, 16 1/2" x 24 1/2" Estimate: 100-200
	Lot 1403: Guiljelmus Blaeu, Amsterdam, 17th c., Zeelandia Comitatus, hand colored map, image size 15" x 19.5", tears at bottom center, a little paper loss top center, some foxing and browning, the first edition of this map was was published in 1635, dedicated to D. Simoni Estimate: 200-300
	Lot 1404: De Wit, Frederick, engraved hand colored map, Totius Europae littora novissime edita. Pascaert vertoonende alle de See-custen van Europa. Amsterdam, 1675, Double-page engraved chart with contemporary hand-color, oriented with west at the top, extending west to east from Iceland to Dalmatia and north to south from Spitzbergen to Morocco, continuation Chart of the Mediterranean inset to Africa, several decorative crests, numerous rhumb lines, vignette depictions of Elephants in North Africa and rutting Goats in Norway, 21 9/16 by 36 5/8 sheet size. fold lines, minor splitting along folds, tape at 2 corners, some stains & foxing Estimate: 1,000-1,500
	Lot 1405: Colored etching, The Great Match Between Randal and Martin, S.W. Fores, London, 14" x 16" sight size through mat, evenly browned Estimate: 200-300
	Lot 1406: "Randall, the Irish lad, and Belasco, the Jew Champion" colored etching, the lower margin with fight details, "This fight took place at Shepperton-Point near Oatlands on Tuesday September 30, 1817 in a 24 feet ring for 50 guineas a side and after a contest of 54 minutes was decided in favor of Randall....", published by S.W. Fores, Picadilly, framed and glazed, light foxing 10 1/2 ins by 13 1/2 ins sight size through mat Estimate: 200-300
	Lot 1407: After Walter Dendy Sadler, English, 16 in x 23 in image size, black and white engraving of 5 men drinking wine with a butler in attendance, published by L.H. LeFevre, 1909, London, signed in pencil, Arthur Turrell, lower right Estimate: 100-150
	Lot 1408: After John Leech, English, 1817-1864, 15.5 x 23.5 in, chromolithograph, The Mermaid's Haunt, from the series "Sketches in Oil, 1865" signed lower left, the mat laid down on top of the print, oak turn of the century frame, lacking glass, some foxing & discoloration Estimate: 100-200
	Lot 1409: After John Leech, English, 1817-1864, 14.5 x 23.5 in, chromolithograph, "Not a Bad Idea For Warm Weather/Frederick: Now Girls, Pull Away-Don't be Idle!"", signed lower left, the mat laid down on top of the print, oak turn of the century frame, some discoloration Estimate: 200-300
	Lot 1410: Montague Dawson, English, 1895-1973, 24 in x 30 in color lithograph, 2 Sailing Ships Under Sail, pencil signed lower right, Frost and Reed, 1964 Estimate: 200-300
	Lot 1411: Colored engraving, Battle of the Serapis and Bon Homme Richard, September 23rd 1779, published 1780, John B __dell, Cheapside London, matted to image, losses and abrasions, sight size 19" x 23" Estimate: 200-300
	Lot 1412: 2 colored engravings of view of London and Westminister, trimmed and laid down, publisher Robert Sayer, with Great Canal of Venice, trimmed and laid down, sight size 11 1/2" x 14 1/2" Estimate: 75-125
	Lot 1413: 2 colored engravings, F. Burke, titled The Curate of the Parish Return'd From Duty, and The Vicar of the Parish Receiving His Tithes, sight size 16" x 12", some stains, probably trimmed Estimate: 100-150
	Lot 1414: Louis Icart, French, 1888-1950, Coursing II, an etching and drypoint printed in colors and heightened with hand-coloring, "Copyright 1929 by L. Icart, Paris" upper left, signed in pencil lower right, numbered "6"in pencil at upper edge, with artist's blindstamp, not matted, framed. Image 15.25 in.by 24.75 in., sheet size 20 in by 29.5 in., this has been laid dow, thought the sheet is bright and shows no stains or damage Estimate: 1,500-2,500
	Lot 1416: Louis Icart, French, 1888-1950, Gust of Wind, an etching and drypoint, 21 in x 17 5/8"Copyright 1925 by les Graveurs Modernes/194 Rue de Rivoli, Paris" upper left, signed in pencil lower right, numbered "7"in pencil at lower left, stained and faded Estimate: 400-600
	Lot 1417: Louis Icart, French, 1888-1950, Open Cage, La Cage Ouvert, an etching and drypoint, 13 1/8 in x 17 in, "Copyright 1926 by les Graveurs Modernes/194 Rue de Rivoli, Paris" upper right, signed in pencil lower right, numbered "140"in pencil at lower left, stained and faded Estimate: 400-600
	Lot 1418: Andre Brasilier, French, 1929-2004, framed color lithograph on Arches paper, Concerto Pour Piano et Orchestre, 1971,signed lower right, #5/250, 20"H x 26"W image size, paper impressed "EXAMPLAIRE HORS COMMERCE/ SPECIMEN NON SIGNE DE TIRAGE/ NUMEROTE ET SIGNE PAR L'ARTISTE", pencil signed, titled, and numbered Estimate: 400-600
	Lot 1419: André Fremond, 1884 - 1965, French, 3 Sulky Racers, 19 in x 25 in, hand colored LE lithograph, signed & numbered lower right, Andre Fremond, 100/300, 27 Estimate: 200-300
	Lot 1420: André Fremond, 1884 - 1965, French, "New Market", 19 in x 25 in, hand colored LE lithograph, signed & numbered lower left, Andre Fremond, 2/400, water stains on both ends Estimate: 50-100
	Lot 1421: Mario Avati, Monaco, b. 1921, Chats-Huantes, , 9.75 x 7.25 in, mezzotint, 1961, inscribed in pencil, "7/50, FOR BETTY MELVIN, WITH BEST WISHES.1.1.1964", signed and titled Estimate: 200-300
	Lot 1422: Mario Avati, Monaco, b. 1921, Explosion d'un Sabre, 10.75 x 10.75 in, mezzotint, 1960, inscribed in pencil, "ESSAI 6/9, POUR BETTY MELVIN, AVEC MES MEILLEURS VOEX.1.1.1964", signed and titled Estimate: 200-300
	Lot 1423: Mario Avati, Monaco, b. 1921, Les Papillions de Nagasaki, 14.25 x 9.0 in, mezzotint, 1960, inscribed in pencil, " FOR BETTY MELVIN, WITH KIND REGARDS.1.1.1964", signed and titled Estimate: 200-300
	Lot 1424: Albany Howarth, English, 1872-1936, 25.75 in x 18 in, b&w etching, titled verso "Rouen Cathedral", pencil signed lr, blindstamps on laid paper Estimate: 100-150
	Lot 1425: Ernest D. Roth, 9.5" x 9" b&w etching, On the Grand Canal, Venice, 1913, signed, titled, and dated in pencil, on laid paper, some mat burn and browning Estimate: 100-200
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